Il Sentiero 2

Il Sentiero 12

 

1990’s Constructions

Turner Carroll Gallery

As I progressed with my vision of unstructured work, this was one of the first pieces that outlined that next step.

Ariadne 6

 

1992

Amos Joseph

I was asked to show at Amos Joseph Gallery and moved there for several years. This was the beginning of my adventure into leaving the rectangle and creating my own version of space. Things began to change rapidly as I was influenced by the shaped works of Frank Stella and then Elizabeth Murray.

Amos Joseph 1994

 

Amos Joseph Gallery-1993

This was my first show of completely constructed pieces and the final references to any landscape visuals. All of the pieces in this solo show were made with plywood which I cut and put together. I was delighted with the response and felt that I was now moving into truly unknown territory with my creative process.

Accompaniment

 

1993-Accompaniment

Through the nineties, I explored various concepts of space and how space interacts with the wall and shadow. I was conscious of the influence of Stella and worked hard to utilize his concepts of form and the principles he discussed in his Harvard seminal book “Working Space!”

 
 

1992

To The Point

 
 


1992

Correlation

 
 

1992

Crossover

Just A Circle

 

1994-Just A Circle

I began to feel the quality of creative “looseness” as I made each piece, never quite sure where each would lead or end up. I found that the negative space began to interest me and from then on, I played with shadows!

 
 

Through The Window-1998

By the late 90’s I was truly committed to this new process and work flowed from one to the other at a very rapid pace. My interest in expanding negative space and utilizing its relationship to shadows, to allow for an interaction of the two began to solidify. As Stella pointed out, the working space needed to be active and vibrant, but for me, I wanted to see how the subtlety of a shadow could enhance and move that positive space depending on the viewer’s location when observing it.

Brass 1

 

1999

Brass 1

The complexity of form and color explodes in the piece. The flowing lines and energy display for me the feeling of the great Jazz brass players such as Coltrane!

 
 

White -1999

 
 

What Circle

 
 

Metamorphosis 1

 
 

Buffalo

 
 

Just The Wind

 
 

Up A Tree

 
 

Kick The Bottle

 

Brass 5

 
 

Boogie Woogie

 
 

Brass 2

 
 

Brasss 7

 
 

Yellow Circle